The Melodic Brush: A Journey through Light and Form
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Siegmund Angyal weaves a captivating narrative of visual elegance and introspection. Breathing contemporary life into tradition, creating a harmonious dialogue between classical finesse and avant-garde sensibilities.

Angyal's mastery of light and texture transforms canvases into living entities that resonate with the cadence of the human spirit. His work, a synthesis of the old and the new, invites viewers into a transformative journey—a pilgrimage through corridors of introspection and wonder.

Influenced profoundly by music, Angyal's art mirrors the rhythm and emotion of musical compositions, adding a layer of harmony to his visual poetry. With exhibitions gracing galleries around the world, Angyal's art is guiding art aficionados through a realm where visual poetry transcends the canvas, echoing in the corridors of the mind long after the initial encounter. In the grand tapestry of contemporary art, Siegmund Angyal illuminates the intersection of tradition and innovation with timeless elegance.

When colours meet on the canvas in such an explosive way, I immediately think of Siegmund Angyal, an Australian artist capable of visionary and profound chromatic choices. For him, colours announce happiness, passion and love, soul, life. All tangible elements in his artistic career in which the shapes and the thousand shades dialogue divinely. To underline the essence of his works, Siegmund uses colour as a means of exerting a direct influence on the soul. As Kandinsky said “Colour is a key, the eye is the hammer that strikes it, the soul is the instrument with a thousand strings”.

Federica D’Avanzo - Chief Art Curator M.A.D.S. Art Gallery

A particular and very fascinating aspect of abstract expressionism is its subjective peculiarity which makes it fickle and changeable against the objectivity of reality. With Expressionism we know a new generation of artists that develops a totally revolutionary way that provides for the total absence of canons to be respected in their works. This movement soon favored the contextual birth of abstractionism which differs in the total absence of geometric shapes and precise subjects. Color in this case is fundamental and we see an absolutely masterful use of it in the works of the artist Siegmund Angyal. The prevalence of a single color is characteristic in Angyal's works in this triptych and we see how each of them represents one in particular, in order black, blue and red. In the "color fields" painting technique the form of things reaches its supremacy only through colors and it is in this way that by "sacrificing" some shades, the painter manages to externalize the essence of his works. It is not so much the subjects, but the way in which they are represented that brings to life the hidden intentions of the artist who gives his most precious asset through the act of painting: his talent.

Art Curator - Letizia Perrieri